Current Music Obsessions
What's this? An opinionated nerd ranting about something? No! I'll try not to break a paragraph for each. For the most part, these are newish releases (save the Go! Team), but that doesn't mean any future musical cheers and jeers will be.
Stubbs the Zombie (The Soundtrack)—Various Artists: Classics as performed by contemporary altindie sensations, each with a vague association with the living dead. It's rare that I dig a compilation, seeing as how being a pretentious pseudohipster (too cheap to be the real thing) demands I want my albums to be a full, artistic experience. The vibe here, however, is just too avant to ignore—tunes range from Cake's swinging "Strangers in the Night" to the Flaming Lips' trippy "If I Only Had a Brain." If you like zombies, cover songs, and idiosyncratic pop, be sure to check this out.
You Could Have It So Much Better—Franz Ferdinand: The sophomore album by Scottish swingers Franz Ferdinand has a more focused sound, bringing a more refined album that sounds, well, better than the first one. Like the last album, You Could Have It So Much Better is an album you can stand still to while your girlfriend dances—though, on a few tracks, you may briefly want to "rock out." This can be accomplished by violence and general nonsense. Yes, the band's latest offering has a slightly harder sound, but it doesn't distract from an overall swankiness that's all their own. I can't think of a single song I don't dig off of this album.
Leaders of the Free World—Elbow: The newest Elbow album is more accessible than the previous two, but that certainly doesn't detract. Leaders of the Free World is clever but unpretentious (I'm looking at you, Postal Service and Wilco), and the sound a mite eclectic. There's heart in this recording, and you can hear it.
Thunder, Lighting, Strike—The Go! Team: Last year's debut of the Go! Team has been recently rereleased with an extra track, but it just goes to show that the band is still the only group out there with what can only be described as "Quentin Tarantino orchestrating the theme and ending credits to a '70s cop show" sound. Packed with cheerleader chants, distorted riffs, and a tiny touch of breakbeat, the Go! Team delivers an album that's out of this world—you've just got to hear it for yourself. Truly bebop.




